Feb
04

That dog’s about to get weed-whacked

Good luck picking up Sally when she’s covered in bloody pomeranian chunks.

Agency: BBH, London, UK
Director: Tom Kuntz
CD: Dominic Goldman, David Kolbusz
Creatives: Daniel Schaefer, Szymon Rose

Feb
02

The new VW Superbowl Spot is Fucking Awesome

I’m all about breaking down the fourth wall. It doesn’t happen very often in advertising, but this one pulls it off. It’s brilliant.

Think about it – by adding a little extra scene that nods to their smash Superbowl spot from last year, Volkswagen has immobilized the threat of not living up to the hype with their follow-up.

Mind you, it’s not the first Superbowl ad to utilize suspension of disbelief - Budwesier used a similar technique to create their infamous “Frogs and Lizards” series, in which the various marshland creatures argue with one another over their career progressions as Bud brand mascots.

But ultimately, this ad is great for one simple reason: it features an animal doing human things.

As I’ve explained before (and again, and again, and again), your commercial WILL be a smash hit if you feature an animal (bonus points if its domesticated) doing something that only homo sapiens are typically capable of. The proof is in the pudding – I mean, it’s pretty adorable when that fat ass collie is prancing around on the exercise ball. Jesus christ, I had to strap myself down just to keep from sprinting to the nearest PetSmart.

Agency: Deutsch, Los Angeles, USA
CCO: Mark Hunter
GCD: Michael Kadin
GCD: Matt Ian
ACD Copywriter: Brian Freidrich
ACD/AD: Mark Peters

Feb
01

Mr. Diseased Molecule Head

Series is for Dream Doctors, a Patch Adams-esque non-profit organization that funds about a 100 “medical clowns” in Israel.

Keep it in your pants, art directors.

Line reads, “For a few minutes, the disease is less scary.”

Disease cells (molecules? I skipped the whole “biology” thing) are terrifying. I know these are just imaginary CGI renderings, but I don’t like the thought of something with that many legs creeping around inside of me.

Even if it’s wearing googly glasses.

Agency: Shalmor Avnon Amichay/Y&R Interactive, Tel Aviv
CCO: Tzur Golan
ECD: Yariv Twig
CD: Oren Meir
Copywriter: Oren Meir
AD: Gil Aviyam

Jan
31

Thank 6 pound baby jesus for Regis

He quickly pulls this Superbowl spot out of its downward spiral when he pops into the frame.

If there was ever a time for attack ads, it’s during a NY/Boston Superbowl rematch.

Agency: TBWA\Chiat\Day, LA

Jan
30

Slutty Salad

I hope it doesn’t taste like that. Go ahead and insert your best salad tosser joke here.

Sorry, I forgot we’re talking about Marilyn – the infallible floozie. How dare I poke fun at her promiscuity? It’s more like “Seductress Salad”.

Agency: Livingroom, United Arab Emirates
CD: Martino O’Brien, Mansoor A. Bhatti
Copywriter: Martino O’Brien
AD: Tobby Gomez, Carlos Khoury

Jan
27

Bad To The Bones

The following post was written for the FUSE Marketing Blog. You can view + comment on the original over here.

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

First things first – you’ve got to give props to Volkswagen.

After last year’s crowd-pleasing “The Force” commercial from last year’s Superbowl – you know the one, where junior is dressed up as Darth Vader – the automaker has a vast audience of potential customers eagerly awaiting their next tour de force. So much, in fact, that the teaser video (sorry, just to remind you folks – we’re still talking about ads here) for this year’s VW Superbowl spot collected 8 million views (and counting) inside a week of being uploaded.

That’s really impressive. For comparison’s sake, I googled the first average Hollywood flick that came to my mind (I, Robot), and guess how many views its trailer had?

A measly. Shameful. Rotten. 750,000.

Advertising: 1. Will Smith: 0.

They hit a home run – qualifying a global audience by readying them for the next Superbowl commercial. Everything was going off smashingly. The succulent nectar of victory had never tasted so sweet. It was marketing at its finest.

Or so it would seem.

As it turns out, the video itself was only a small piece of a much bigger story. Near the end of the video, a little greyhound prances lightly into the shot wearing an AT-AT costume. For those of you with attractive partners, an “AT-AT” is one of those long-legged snow dwelling kill machines from Star Wars. It was friggin adoreable.

After watching, I did a quick Google search to confirm the dog’s breed. What I found was shocking – countless news results and recent write-ups about the star dog, himself. There was much more to this pup than the eye could see. Matter of fact, I would soon discover that his identity was shrouded in confusion and scandal.

The canine-meme-lovers of Internet Land were ecstatic to see who appeared to be Bones Mello, the “AT-AT Dog” (pictured above) make his much-deserved on-air debut. After all, Bones was a bit of an underground Facebook sensation. With nearly 8,000 FB fans and photos that bore and uncanny resemblance to the sleek hound featured in VW’s new teaser, it seemed as though Mr. Mellow had finally snatched the elusive kitty that is digital superstardom.

Wrong.

“That is not Bones in the VW Superbowl commercial.”

In a statement released by Bones’ owner & creator of his Fan Page, Katie Mello made it clear that the doppleganger doggy in the ad had no connection to her furry friend.

“We did not know anything about it until the day it aired. We have received no compensation from anyone. We are all very sad and disappointed about the whole thing. More than a little flattered, but still sad and disappointed. Thanks again to all of the Bones Mello supporters out there.”

“He loves each and every one of you unconditionally.”

I’m sure he does. Anyway – at this point, I didn’t know who to believe. Was it possible that VW borrowed the identity of this Hothian greyhound for the purposes of their commercial (here’s a side-by-side comparison)? Or was it merely a coincidence?

The story garnered enough media attention to warrant a response from a VW spokesperson when tech site Jalopnik inquired about the alleged incident. The rep insisted that there was no story to report on.

“There are all hosts of dogs, from every type of dog, and an AT-AT just happens to be an Italian Greyhound. [They're] all basically matched to the storyline,” explained Corey Proffit, the VW representative approached by Jalopnik.

“Essentially, the idea and the origination came from Lucas Films,” says Proffit, who explained that the team had worked directly with the creators of Star Wars to brew the concept.

But the controversy wouldn’t end there.

As it turns out, the Lucas Arts’ Official Star Wars Blog featured an article last October that spotlighted none other than – you guessed it – Bones. The Q&A with owner Katie Mello went into how and why she turned her pooch into an All Terrain Armored Transport. Lucas Arts thought it was fantastic.

Hmm. So where exactly did that idea come from, again?

So, there you have it brand managers: the recipe for viral success is simple. Just mix together a hit Superbowl Ad, licensing rights to the most popular movie franchise of all time, a meme-worthy internet controversy, and lots of cute puppies.

Could it be any simpler?

Jan
26

Dandas and Dogbras

I want them.

These are for Brazilian rubber producer Vipal, whose pro-environment recycling efforts are helping to fight the good fight against Lord Voldemort or whoever it is that’s responsible for our ecosystem’s inevitable decay.

The line obviously got lost in translation here (“Without action, soon they’ll be the only ones.”), but what a beautiful pair of ads. The retouching is phenomenal and they possess a ton of stopping power. Bravo.

Previously in Poorly Translated Ads

Agency: 141 Soho Square, Brazil, São Paulo
CCO: Celso Alfieri
Copywriter: Celso Alfieri
AD: Celso Alfieri

Jan
25

Road sign reimagination

Restrain yourselves, art directors.

Series is for Mercedes’ new brake-assist feature that “detects hidden danger”. Good stuff. Though, I’m not sure how well that particular system would fare against a tyrannosaurus rex.

 

Jan
24

Drowning polar bears

Those are some dead-ass polar bears.

Poor things. They’re always homeless and/or melting to death in enviro-ads. Even Coca Cola – once a safe haven for frolicking fuzz-bears – has switched tones, hopping aboard the buzzkill bandwagon as they inform us of all the looming ice-cap catastrophes.

Which is too bad, cause they’re just so fucking cute.

Agency: Memac Ogilvy & Mather, Dubai
ECD: Steve Hough
CD: Ramzi Moutran
Copywriter: Sascha Kuntze

Jan
23

Expect to see this campaign at Cannes

Just the right blend of CGI beauty and on-brand charm.

The one with buddy in the chair is a little tough to grasp if you haven’t seen the accompanying pieces. Bonus points for the punny book he’s reading.

Agency: Ogilvy & Mather, Budapest, Hungary
CD: Will Rust
AD: Zoltan Visy
Copywriters: Karolina Galacz, Balazs Vizi

Older posts «